Tuesday, December 31, 2019

Randy White - Small Literary Press Workshop - January 8th

How to get your writing from notebook to a bookstore’s shelf.


We will briefly examine the background of small literary presses and how they differ from self-publishing including some currently significant small independent literary presses, such as Copper Canyon and Blue Oak Press, and the small press relationship to the mainstream publishing industry. An overview of how small presses are founded, funded, and staffed including the value of a website and a social media presence will also be discussed.

We will also inform participants on how manuscripts are chosen, as well as what a publisher expects from and offers to an author including author rights, royalties, and renumerations. The editorial process of revising and sequencing a manuscript, and cover design will be touched upon as well as interior design, typography, the printing process, and proofing. Finally we will discuss doing literary readings and media interviews, and aquiring blurbs (testimonials about your book) and the marketing and distribution of a book including working with Barnes & Noble, Amazon, and other mass distribution outlets for books.



Randy White is the managing editor and publisher of Blue Oak Press which published two notable books in 2019: Karst Mountain Will Bloom by Pos Moua, and Coyote Logic by Lisa Dominguez Abraham. They Rise Like A Wave: An Anthology of Asian American Women Poets is forthcoming in 2020. Formerly an Acquisitions Editor at Dustbooks and a book design manager at ISI Press. He has also been sponsored to lecture on writing by Poets & Writers Inc. and gives literary readings at universities and venues across the nation. He currently serves on the board of directors of the Sierra College Press.

Besides being the author of Blood Transparencies (which was nominated for a 2016 Pulitzer Prize ) and Motherlode/La Veta Madre, he was awarded the Bazzanella Literary Award for both poetry and short fiction. His work has appeared in the Range of Light Anthology, From These Hills: Stories and Poems of The American West, Sulfur, News From Native California and other magazines.

Currently, he is preparing American Mahabharata, a compilation of the last forty-five years of his writing, for publication.

Wednesday, November 27, 2019

Ingrid Keriotis - Conference Preview & Open Read - December 11th

Ingrid Keriotis is the Critique Session Coordinator for the Sierra Writers Conference. Critique Sessions are one of the most sought-after Conference events!

Ingrid will highlight the conference speakers, noting areas of expertise and she'll provide tips for how to get the most from participating in a Critique Session.

After the Conferece preview, Chris Hall will co-facilitate an Open Read.



Ingrid Keriotis’ first book of poetry, It Started with the Wild Horses, was published this past spring by Finishing Line Press. When it comes to writing poetry, she believes in Richard Hugo’s advice: “You owe reality nothing and the truth about your feelings everything.” Ingrid lives in Grass Valley where she teaches English and works in the Writing Center at Sierra College. She is active in local writing groups and is on the organizing committee for the Sierra Writers Conference.

Open Read Preparation Guidelines

Sierra Writers Open Reads are intended to be a safe place for writers to experiment with craft, share vision, and develop voice. 


Guidelines:
  1. Bring a single copy of your piece, double-spaced, Times New Roman (or similar) font. Reading from electronic devices is not allowed.
  2. Limit your piece to 750 words (2 to 3 pages), double-spaced, or about 3 minutes, read aloud. If submitting poetry, no more than three short poems.
  3. Work should be anonymous. Please be sure author’s name or other identifying information is removed
  4. Work can be whole pieces or excerpts, poetry or prose. If it would help the group, please feel free to indicate the genre or tell us it is from a larger work. The piece will be critiqued on its own.
Please consider these suggestions for how to get the most out of the Open Read:

  • Be gentle, kind, and supportive.
  • Be an active listener. Take notes; be prepared to be specific with your comments.
  • Begin with a positive comment. In order to grow as a writer, it is important to be able to identify what is working in a piece, even if you don’t like the topic, have issues with the voice, etc. What is the author doing that is working well? Where is the energy? What images are potent and interesting?
  • Keep your criticism constructive. “I didn’t like it” is not helpful to a writer, but “I disagreed with the point the author was making, which made me lose interest in the piece. Maybe the author could look for a way to make it more accessible to people with diverse opinions.” Another example: “It was hard to follow” isn’t nearly as helpful as “The point of view moved from person to person very quickly, which I had a hard time following.” Follow up with specifics from your notes about where this happened in the piece, if possible.
  • Focus on the writing. Our goal is to give the author feedback on their writing. If you find you are talking more about yourself and your own experiences related to the topic in the piece, consider talking with the author about those after the Open Read is over. Give the writing and the writer the attention during the few minutes that are allotted to their work, and engage on a personal level afterward.



  • Buy your 2020 conference ticket!

    Critique Session spots (Saturday, Grass Valley NCCN) are sold
    first come, first served. 
    ONLY 30 available
    Critique Session Categories
    Fiction
    Flash Fiction
    Historical Fiction
    Young Adult Fiction
    Memoir Creative Nonfiction
    Poetry



Sierra Writers Conference 2020 Tickets on Sale Now



Buy your 2020 conference ticket!
Critique Session spots (Saturday, Grass Valley NCCN) are sold
first come, first served. 
ONLY 30 available
Critique Session Categories
Fiction
Flash Fiction
Historical Fiction
Young Adult Fiction
Memoir | Creative Nonfiction
Poetry





Friday, November 1, 2019

Iven Lourie | Surveying the Options for Self-Publishing and Commercial Publishing | Nov. 13th 2019

Surveying the Options for Self-Publishing and Commercial Publishing

Iven Lourie will be sharing from his experience and knowledge of small press and
independent publishing 

  • how the hybrid publishing model so popular now works, 
  • the up and down side of printing books and keeping them in your own garage,
  • the need for professional editing and especially copy editing / formatting / proof reading if you want to succeed in the marketplace,  
  • the virtues and benefits of professional standards in publishing as maintained in the small press world, and 
  • the effectiveness of personal contacts, i.e., having writing mentors, writing to editors, entering contests, and the niche publishing world.


Iven Lourie worked as Poetry Editor at Chicago Review in the 1960s, and he has pursued editing, writing, and performance art since. He participated in readings against the Vietnam War during the ‘60s and ‘70s, and has read his work in Tucson, AZ; Philadelphia, PA; Chicago, IL; San Francisco, CA; Sacramento, CA (The Poetry Center); the Fullerton Arts Festival, CA; and more. After completing his MFA at U. of Arizona (1978), he moved to Northern California where he works as Editor for Gateways Books and Artemis Books; teaches composition and literature at Sierra College; performs with The Poets Quartet; and leads the CafĂ© Writers critique group. He has been married twice, has three daughters and one grand-daughter. He plays guitar and fiddle for fun, and audiences agree that his music shows more sincerity and heart than skill or talent.
 
Poetry collections: Miro’s Dream (Gateways Books, 1988); one of six poets in Yuba Flows (Hip Pocket Press, 2007); SHORTS (Rattlesnake Press littlebook, 2009), CAFE WRITERS ANTHOLOGY 2010 (Artemis Books, 2011, Editor and included as poet); Return to Mykonos (Artemis Books chapbook, 2013).


Monday, September 30, 2019

Hock Tjoa Book Reading & Greek Mythology Discussion | October 9th 2019


Hock will read from his book "Agamemnon Must Die" and then lead a Q&A and discussion about Greek Mythology with a focus on Cassandra.

To sail against Troy, Agamemnon
sacrificed his virgin daughter Iphigenia.
 Ten years later, he returns victorious,
hoping that Queen Clytemnestra
has forgiven him. He is so wrong.


He will also talk about the intricacies of interweaving mythology and history in a work of historical fiction.


Hock Tjoa turned to writing, after eight years as a history teacher and twenty-five years in banking and finance. After he retired, he thought of studying Mandarin but soon got bored with text books and started translating "real stuff." One of the items was a famous book called The Romance of the Three Kingdoms, said to be the best introduction to traditional Chinese culture. From that study, four years later, came The Battle of Chibi, his first book.
Learn more about Hock on his website.

Monday, September 2, 2019

Open Read | Membership | Networking - Sept. 11th, 2019

September's meeting will start with 30 minutes of social / networking time.

It's 2019/2020 Membership Renewal time


Membership funds pay for meeting space rental and modest speaker payments.

Visit the Membership page to renew, sign-up, or use PayPal to pay ($35) electronically. At the meeting, paper sign-up forms will be available and we'll be accepting checks.


Open Read 

Sierra Writers Open Reads are intended to be a safe place for writers to experiment with craft, share vision, and develop voice. 


Guidelines:
  1. Bring a single copy of your piece, double-spaced, Times New Roman (or similar) font. Reading from electronic devices is not allowed.
  2. Limit your piece to 750 words (2 to 3 pages), double-spaced, or about 3 minutes, read aloud. If submitting poetry, no more than three short poems.
  3. Work should be anonymous. Please be sure author’s name or other identifying information is removed
  4. Work can be whole pieces or excerpts, poetry or prose. If it would help the group, please feel free to indicate the genre or tell us it is from a larger work. The piece will be critiqued on its own.
Please consider these suggestions for how to get the most out of the Open Read:
  • Be gentle, kind, and supportive.
  • Be an active listener. Take notes; be prepared to be specific with your comments.
  • Begin with a positive comment. In order to grow as a writer, it is important to be able to identify what is working in a piece, even if you don’t like the topic, have issues with the voice, etc. What is the author doing that is working well? Where is the energy? What images are potent and interesting?
  • Keep your criticism constructive. “I didn’t like it” is not helpful to a writer, but “I disagreed with the point the author was making, which made me lose interest in the piece. Maybe the author could look for a way to make it more accessible to people with diverse opinions.” Another example: “It was hard to follow” isn’t nearly as helpful as “The point of view moved from person to person very quickly, which I had a hard time following.” Follow up with specifics from your notes about where this happened in the piece, if possible.
  • Focus on the writing. Our goal is to give the author feedback on their writing. If you find you are talking more about yourself and your own experiences related to the topic in the piece, consider talking with the author about those after the Open Read is over. Give the writing and the writer the attention during the few minutes that are allotted to their work, and engage on a personal level afterward.

Sunday, May 19, 2019

Quick Read & Hock Celebration - June 12th


Half of June's meeting will be devoted to First Sentence Quick Reads.

Bring the beginning of a project; a book, chapter, or poem.

After the submission is read anonymously, the audience will be asked if the introduction was enough to inspire further reading.

This exercise is based on Peter Selgin's book Your First Page.

According to Selgin, “The choices we make in those first few sentences, paragraphs, and pages determine not only how what we’ve written gets read, but whether it will be read at all.”

His book is based on the premise that almost everything that can go right or wrong in a work of fiction or memoir goes wrong or right on the first page.

First Sentence Quick Read Participation:
Bring a piece of writing between 150 - 250 words.
Typed, double-spaced, in Times New Roman font with a size between 12-14.
Do not include your name.
*Depending on time constraints and number of entries, all submissions may not be read. 

A brief summary of the membership survey will be given.

Hock is stepping down as President of Sierra Writers.

The second half of the meeting will be social time celebrating Hock and his years of service supporting Nevada County writers of all ages.

Snacks and drinks will be provided.

Monday, April 15, 2019

Young Writers Competition
Student Readings & Award Presentations
May 8th

Enjoy an evening supporting Nevada County's young writers!
Competition winners (or an appoint a representative) will read their work on stage.



Sierra College English Professor, Chris Hall will host this special annual event.

High School


Fiction  


1-"In The Eye of the Beholder" by Kacie Harmon
2-"Liminal Spaces" by Maryn Miller
3-"An Old Woman's Memory" by Suraya Shelton

Non-fiction


1-"Tortilla Sunrise" by Kacie Harmon
2-"The Magic of Horror" by Griffin Ellis
3-"Love's Simple Complexity" by Sol Rios

Poetry


1-"To Angela" by Kacie Harmon
2-"The Walls" by JM
3-"Darkened are my Thoughts" by Sol Rios


I'm a senior at Ghidotti, and I'll be attending Smith College in Massachusetts next year. I'm going to study Spanish, education, and creative writing. I love creative writing, especially poetry, and have been writing for as long as I can remember. I also enjoy painting, backpacking, and stargazing.


Middle School


Fiction 


1-"Metamorphosis" by Zoe Ohana Myers
2-"Reality" by Hailey J. Robins
3- "No Skins" by Nicholet Duran


Non-fiction


"Argo" by Hailey J. Robins | "Adventures" by Natalie Trogdon
Judges awarded a first prize split

Poetry 


"The End" by Natalie Trogdon | "Lights" by Hailey J. Robins
Judges awarded a first prize split

Hailey Robins is 12 years old and lives in Rough and Ready with her parents, a pony, a cat, and three annoying siblings. She enjoys all kinds of creative activities, including writing, drawing, acting, and animating. 


Sierra Writers is delighted to acknowledge the generosity of the 
Community Asian Theatre of the Sierras (CATS)
 for a grant of $500 toward the 
Young Writers Competition


Wednesday, March 20, 2019

Will Staple - Poetry Workshop - April 10th - 6:30 p.m.





Staple grew up in Oakland “in the shadow of the Beats,” and attended UC Berkeley during the Free Speech Movement. 

In his own words, “From 1970 to 1995, I published over 200 poems infused with the Grand Canyon and mountain forests, on the sassy, sexy side of spirituality, filled with a sly humor, condensed form, depth of content, detailing the culture that left the cities in the 1970s for a more archaic path with a heart.” 

He taught poetry in the area for over 40 years, and gave frequent readings, one last one with Gary Snyder;  Listen to Will Staple reading “Love Fest”  from his newest book Arrows Go Thru Hearts (paperback | Kindle). 

He once received an international award for four books published in the 90’s: Passing For Human, I hate the men you sleep with, The Only Way to Reduce Crime Is to Make Fewer Acts Illegal and Numinous Luminosity. 

Tuesday, February 26, 2019

Read, Sign, Sell Event - March 13th - 6:30p.m.


Listed in Reading Order

Patricia Dove Miller: Bamboo Secrets
While living in Japan in 1993, Patricia Dove Miller’s dream of a year of exploration and personal growth is shattered when her husband is detained on drug charges. Miller struggles with a sense of betrayal upon learning her husband’s secrets and yet she stands by him, fighting to save both him and their marriage in the face of the terrifying uncertainties now confronting them.
To save herself, she seeks refuge in two Japanese traditional arts—ikebana and shakuhachi (bamboo flute)—which not only nourish and strengthen her,
but also lead her to finally discover, at age fifty-two, her life’s passion: to become a writer. Bamboo Secrets: One Woman’s Quest through the Shadows of Japan weaves together four strands: a mature woman in search of herself, a marriage in trouble, the dark side of Japan, and the beauty of Japanese art and culture.

Chris Hall: Poetry Chris was transplanted from the Bitterroot Valley of Montana to the Yuba-Sierra bioregion in 1977. He was raised in Nevada County and educated at Sierra College and at Humboldt State University where he majored in creative writing and teaching of writing. After learning and teaching in Humboldt County for nearly a decade, he returned to Nevada County and currently teaches English and creative writing at Sierra College.
His most noteworthy publication credit to date is a work of reflective environmental writing published in The Pacific Crest Trailside Reader (2011). He has published several poems in such markets as Toyon, Inscape, and the Sierra Journal. He has also published genre fiction.
Tonight, Chris will read two short poems in honor of his departed parents and a brief prose poem in the traditional Japanese Haibun form in reverence for our fallen animal kin, whom we seldom honor. The latter is forthcoming in the Sierra Journal. He sincerely hopes his writing will help others find hope in the midst of the planet’s sixth mass extinction.





Patricia Minch:The Luckiest Guerrilla, A True Tale of Love, War and the Army
 “Surrender? Damned if I will!” Art Murphy not only survived three years behind Japanese lines in the mountainous headhunter country of North Luzon during World War II, he helped create a guerrilla army that killed 50,000 of the enemy and aided General Douglas MacArthur in retaking the Philippines.






Kenneth Harris: Malakoff School (With Feather Pens and Berry Juice)
In the fall of 1982 Ken Harris found himself in the living room of an abandoned ranger station near North Bloomfield, California. He was teaching fourth- through eighth-grades. There were six students. After that, things got a little weird. He has written this book this year and the five years following.


Shelley Buck: India Bound: The Making of a Woman Journalist
In 1972, Shelley Buck left California alone to travel across Asia by land to India and Nepal. This first journey led to a second. Follow Shelley in India Bound as she sets off from Europe to cross Turkey, Iran, Afghanistan, and Pakistan on her way to India. She carries camera, lenses, and a blue-green Olivetti typewriter in her backpack, for she is determined to become a journalist.





Hock Tjoa: The Chinese Spymaster
Hock has written adaptions of a couple of classics (The Battle of Chibi, Agamemnon Must Die) and some contemporary fiction. He will read two 'fight scenes' from his spy novel, The Chinese Spymaster.











Sunday, January 27, 2019

Rachel Teferet - Publishing Process Workshop - February 13th

HOW TO GET YOUR SHORT STORIES AND POEMS PUBLISHED!


A Hands-On Workshop That Breaks Down the Publishing Process

So you're a writer and you can't seem to stop churning out short stories or poems or both—and now, your work is piled ceiling high on scraps of paper and napkins just cluttering your desk. Never fear! Publishing does not have to be scary. Join Rachel Teferet, Writer and Editor, for an evening of info, tools, and skills. Let's make a plan and share your beautiful work with the world!

What you'll learn:
  • Duotrope 101: How to use this incredible database to find publishers and stay organized
  • Tools and tricks for creating a workflow, so you can move seamlessly from writing, workshopping, editing, and submitting
  • How to be professional when submitting your work so you're more likely to get accepted
  • Where to find solid support for your writing and publishing journey
  • Hands-on skills you can use to get your work into good literary markets
Some things we'll cover:
  • How to scout out literary markets
  • How to write a cover letter
  • How to make your publishing plan
  • Tools and free resources

About: 

Rachel Teferet has published over twenty-five poems and stories. She graduated from Rutgers University with a BA in Fine Arts and a penchant for photoshopping the world with her eyes. She is an artist, graphic and web designer, writer, blogger, and editor. Her work has been published by Subprimal Poetry Art, The Tishman Review (pending), Page & Spine, Black Rabbit Quarterly, Slink Chunk Press, Manawaker Podcast, Sierra College Literary Magazine as the winner of the 2016 Flash Fiction Contest, and more. Her play “The Necromancer’s Daughter” has been performed at Synthetic Unlimited in Nevada City, California. She has over 3,500 followers on her blog lettersandfeathers.wordpress.com, and over 3,000 followers on Twitter as @art4earthlings.



Free and open to the public,
Sierra Writers meetings are held
the 2nd Wednesday of the month

January through June.

6:30 p.m. - 8:30 p.m.

Open Book, 671 Maltman Drive, Grass Valley


Tuesday, January 22, 2019

Don't Miss the Writers Conference!

 Purchase your ticket!

Saturday, January 26th!

Walk-in tickets available at the door.
Cash or check only!

Parking is FREE

Featured Article: 

What Critique Groups do for Your Writing Life

by Ingrid Keriotis, author of It Started with Wild Horses